Art-environment builders Nick Engelbert (1881–1962) and Ernest Hüpeden (a. 1878-1915) both immigrated to the United States from northern Europe. Each created an art environment in the Driftless Region of Wisconsin.
Austrian-born Nick Engelbert settled in Hollandale, WI, in 1913 and purchased the small farm he called Grandview in 1922. In the early 1930s, inspired by a visit to the nearby Dickeyville Grotto, he coated a planter with concrete inlaid with stones and shells. Eventually, he embellished the entire façade of his clapboard house in the same fashion. By 1950, he had transformed the yard around the home into a fantastic landscape with over 40 concrete sculptures of his own making.
In his later years, Engelbert took up painting, and, in 1990, Engelbert’s children gave the John Michael Kohler Arts Center 75 of his works. The Arts Center cares for several sculptures too fragile to remain on site; replicas stand in their place at Grandview.
An immigrant from Germany, Ernest Hüpeden was an itinerant painter working in the late-nineteenth century whose most impressive and well-known work of art is called “The Painted Forest.” The art environment is located in what was once a meeting hall of the Modern Woodmen of America; Hüpeden’s mural paintings cover the walls and ceiling of the hall with allegorical representations of the fraternal organization's values and secret initiation rites.
Acclaimed novelist David Rhodes, a resident of the Driftless Region, contributes a short work of fiction to this consideration of Engelbert’s and Hüpeden’s art environments. In his response, Rhodes offers an account of the people and geography of the region where Engelbert and Hüpeden lived and worked. He reveals a culturally rich landscape that allows idiosyncrasy to thrive.
David Rhodes is an acclaimed author of five books, including the novel Driftless (Milkweed Editions, 2008), a fictional tale set in the Driftless region. Rhodes knows the area intimately as a former resident of Valton, WI, where Ernest Hüpeden’s immersive mural, The Painted Forest, is located. In Rhodes’s response to the exhibition, he writes about the people who embraced Hüpeden and kept the legacy of the itinerant painter alive. DRIFTLESS: NICK ENGELBERT & ERNEST HÜPEDEN is one of fifteen exhibitions on view throughout 2017 as part of the John Michael Kohler Arts Center’s 50th-anniversary series, THE ROAD LESS TRAVELED.
David Rhodes is a critically acclaimed Wisconsin writer whose 2008 novel, Driftless, was heralded by the Chicago Tribune as the “best work of fiction to come out of the Midwest in many years.” His most recent title is Jewelweed. The author of five novels, Rhodes earned his master of fine arts rom the Iowa Writer’s Workshop.
Scholars, artists, preservationists, educators, activists, art historians, collectors and devotees will delve into the complex subject of artist-built environments during a three-day conference at the John Michael Kohler Arts Center.
Through a variety of performances, panels, and workshops, attendees will share new ideas and broaden the collective knowledge and appreciation of this unique style of art making that is the focus of a yearlong series of exhibitions at the Arts Center.
The conference, titled The Road Less Traveled, is the third Divine Disorder program of the National Park Service’s National Center for Preservation Technology and Training (NCPTT). In addition to the Arts Center and NCPTT, Kohler Foundation Inc. is a hosting partner for the conference.
Sep. 27, 2017 - Sep. 29, 2017Register
This exhibition is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin, the Wisconsin Department of Tourism, and the National Endowment for the Arts. Funding was also provided by the Institute of Museum and Library Services, Kohler Trust for the Arts and Education, and the Wisconsin Department of Tourism. The Arts Center thanks its many members for their support of exhibitions and programs through the year.